Superfluities Redux

by George Hunka
Artistic director, theatre minima

A Theatre Surrounds a City:
Vienna's Burgtheater


Tuesday, 28 October 2008

Call for Papers

David Ian Rabey and Karoline Gritzner of Aberystwyth University in Wales have asked me to pass along the following call for papers:

HOWARD BARKER'S ART OF THEATRE

An international conference, Aberystwyth University, Wales, UK, 10-12 July 2009

Deadline for Proposals: 5 January 2009

Howard Barker is widely acknowledged as a major British dramatist (who has now had staged, broadcast or published over a hundred plays), director, theorist, scenographer and visual artist. In recent years, his reputation has extended to a position of international eminence. Our principal objective is to bring together as many Barker scholars and practitioners as possible from their different countries, to explore and analyse the full range of his remarkable body of work. It has become apparent that there is a wide interest in Barker's work, principally in France and America where his productions of his work are burgeoning (a four-play season at Paris Odéon in Spring 2009, alongside fifth and sixth concurrent Paris productions, and new productions of two early works this year in New York). Barker's own theatre company, The Wrestling School, which has recently become financially independent, is now in its third decade, and has increased its annual work from one production a year to two, continuing to explore and present innovative work, uncompromisingly. It is a timely juncture to review Barker's art of the theatre and both widen and intensify scholarly attention to the unique expanse of his work in the context of international theatre, at Aberystwyth University (where Barker is Honorary Professor, and where there has been an unparalleled tradition of student and professional productions of Barker's work for over two decades). The conference will include a rehearsed reading of Barker’s play A Wounded Knife, unperformed outside of Denmark, and possibly an exhibition of his paintings.

Topics to be discussed in relation to Barker's work might include:

Philosophy and ethical re-evaluation; practical perspectives: acting; direction; scenography and mise-en-scène; music and sound; landscapes; gender and sexuality; history and politics; language; the body and physicality; visual and aesthetic dimensions of the work: beauty and anxiety; production history: The Wrestling School, and/or beyond; eroticism and seduction; Barker in the context of European and world theatre; tragedy/comedy; stylistic developments within the Barker canon; the religious and the spiritual; Barker's re-visioning of classic drama texts; Barker's radio drama; paintings and drawings; and other perspectives on Barker's Art of the Theatre.

Confirmed keynote speakers:

Howard Barker

Prof. Elisabeth Angel-Perez (University of Paris-Sorbonne, Paris IV, editor of Howard Barker et le theatre de la Catastrophe and translator of Barker's essays): "Reinventing Grand Narratives: Barker’s Challenge to Postmodernism"

Dr. Charles Lamb (University of Winchester, author of The Theatre of Howard Barker): Barker's pictorial landscapes

Further contributions proposed by:

Prof. Heiner Zimmermann (University of Heidelberg): Visual memory in Barker's drama

Ms. Melanie Jessop (Actress and Outreach Officer, The Wrestling School Theatre Company): Anxiety in acting Barker

Mr. Gerrard McArthur (Actor and Director, The Wrestling School Theatre Company): "Overcoming the Paralysis of Naturalism: Barker's Bodies Making Brains"

Prof. Michael Mangan (Exeter University): Prisons in Barker's drama and theatre

Prof. Dan Rebellato (Royal Holloway, London): Barker's Genealogy of Morals

Dr. Graham Saunders (Reading): The Wrestling School theatre company and The Arts Council archive

Dr. Christine Kiehl (University of Lyon 2): The Paris Odéon 2009 Barker Season: analysis, with interviews with directors

Mr. Jay King (Florida State University): Time in Barker's drama

Mr. George Hunka (Superfluities Redux website, New York): Beckett, Foreman and Barker

Dr. Clare Finburgh (Essex University): Barker's women characters

Dr. Chris Megson (Royal Holloway, London): "'Evidence in contempt': Evocations of Anti-History in Barker's Theatre"

Mr. Daniel Sack (Stanford): "A Landscape Without Maps: Scenography as Character in Howard Barker's The Castle"

Prof. David Ian Rabey (Aberystwyth): Barker's poetry in the 1990s and 2000s

Dr. Carl Lavery (Aberystwyth): Barker, Genet, Kantor and the politics of death

Dr. Roger Owen (Aberystwyth): Barker's address to Dionysus

Please note all speakers and topics may be subject to change.

250 word proposals for presentations (which should not exceed 20 minutes delivery time), with any relevant technical requirements, and any further enquiries, should be submitted to Dr. Karoline Gritzner (kgg@aber.ac.uk) no later than 5 January 2009.

Conference fee and registration details will be confirmed in early 2009.

Posted in /Dramatists/Howard_Barker
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