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Friday, 12 December 2008
Bond is back
(Photo: Eamonn McCabe)
What a difference a year makes. I wrote last November about the lack of productions in the
English-language theatre of plays by English-language dramatists
like Edward Bond, and now Bond is all over the place; at least, he's all
over the Internet. Helen Shaw provides a short interview with Edward Bond at Time Out New York
this week (Bond's Chair, directed by Robert Woodruff, runs at
Theatre for a New Audience through the end of December); this interview
leads to Garrett Eisler's puckish comment at Playgoer, which followed upon my own
brief mention of Bond earlier
this week. And now, with my caption to the photo above, we can finally
retire all of the easy puns and James Bond references (Time Out New
York: "His word is Bond"; Playgoer: "Bond. Edward Bond") and,
resting assured in our popcult literacy, get back to work.
At the Guardian today, the Village Voice's Alexis Soloski
writes about Christopher Shinn's recent essay in the Index on Censorship, which I first
wrote about on Wednesday
3 December; Shinn responds to Soloski in the comments section at the
Guardian. As Shinn points out there, he's not doubting the claim
that writers are writing political plays in violent opposition to the
current regime, only that there are narrow limits to the content of this
opposition and these plays, and that these limits are by and large driven
by the fears of dramatists losing stages for their work and the
fears of these stages losing their subscribers and funders. My own
thoughts can be read in the link to my own post earlier in this
paragraph.
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