Superfluities Redux

by George Hunka
Artistic director, theatre minima

A Theatre Surrounds a City:
Vienna's Burgtheater


Friday, 11 September 2009

Quotes: Howard Barker on the philosopher, the saint and the artist

Arthur Schopenhauer located the transcendent experience in the work of the artist and the saint; in those two figures, he said, there is demonstrated the ability to catch a mere glimpse of the Will that lies behind all phenomenal experience of the world: through suffering and discipline to ecstatic knowledge. In the below quote from the rare essay, "Saintliness, Death and the Perfect Family," published only as a preface to the 1994 publication of Hated Nightfall, Howard Barker extends the concept to the consideration of the possibility of hope and love in the world of representation, which requires necessary deception. At the same time (especially in the concept of the repudiation of the world), he provides a potential bridge between Schopenhauer and Adorno's conceptions of the art work in contemporary culture:

If the sign of the saint is sacrifice, it is a sign illuminated by the vehemence with which he repudiates the world. For the saint finds the world lacking, and his desire is focused on what can never be satisfied. His passion can discover no worthwhile object, and the more searching his gaze, the more contamination is revealed. For Dancer [the protagonist of Hated Nightfall], all is transparent, and this transparency is appalling pain, for we require to be deceived, it is the condition of social acceptance. Without deception there is perhaps no hope ... the saint is lured by human love only to discover its inadequacy ... the saint is first and foremost his own work of art, exhibited primarily to himself. But neither saints nor works of art are socially desired, for they are disruptive to the bourgeois and the collectivist alike.

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