Those who enjoy music such as this will also probably be pleased to note that, as part of its upcoming R. Crumb exhibition, the David Zwirner Gallery will host the artist himself for a book signing this Saturday afternoon, February 23. More information here.
Lonnie Johnson (1899-1970) had one of the longest careers of the early country blues musicians. Born in New Orleans, he was best known for his precise musicianship, his vocal talent, and the single-note guitar lines that became a staple of later blues, jazz, and rock-and-roll music. He sat in with Louis Armstrong and His Hot Five for several sides recorded in 1927; as Gunther Schuller noted in his book Early Jazz, “Armstrong is no longer outnumbered four to one but has a strong ally. Johnson’s swinging, rhythmic backing and his remarkable two-bar exchanges with Armstrong are certainly highlights of modern jazz.” He continued to work, performing with the likes of Duke Ellington and Bessie Smith, until just about a year before his death in relative obscurity in Toronto. In his memoir Music Is My Mistress, Ellington wrote, “[Johnson] must have must have been a good man, because he spoke only good about other people, and I never heard anyone speak anything but good of him. God bless Lonnie Johnson.”
Among his early successes was the below 1928 recording of “Careless Love.” Samuel Charters wrote about the recording in his seminal 1959 book The Country Blues, describing it as “one of [Johnson’s] finest achievements”:
“Careless Love” in successively bitter verses blamed love for an entire life of troubles; finally turning on the personified image of desire with:
… damn you, I’m going to shoot you,
Shoot you four — five times.
Then stand over you until you finish dying.
More information about Johnson can be found in this brief biographical/critical essay by John Cohassey.