Vladimir Voinovich (1932-2018)

Vladimir Voinovich (1932-2018)

I was saddened to learn of the death on July 27 of Vladimir Voinovich, who passed away in Moscow at the age of 85. It was a bit of a surprise to learn that he’d lasted that long. He was perhaps the greatest satirist of the post-Khrushchev period in the Soviet Union, then the Putin period in Russia, and unlike many novelists, in Russia or elsewhere, he worked almost entirely in the satiric mode. Voinovich first came to notice in the West with the publication of The Life and Extraordinary Adventures of Private Ivan Chonkin (1969; published in English in 1977), the first part of a three-volume masterpiece about a somewhat dim but honest and patriotic soldier in World War II Ukraine, then in the post-war Soviet Union. In 1986/1987, Voinovich would fine-tune his satiric vision in Moscow 2042, a fantasy about the future of the Soviet Union; in Monumental Propaganda (2000), he investigated the legacy of Stalin’s personality cult in Putin’s Russia. Voinovich was also the author of several non-fiction essays.

Voinovich’s biography details many run-ins with both the Soviet Union and contemporary Russia; by the end of his life, he was castigating Putin for his brutality in Ukraine and Crimea. In a 2017 interview with Radio Free Europe/Radio Liberty, he drew parallels between contemporary Russia and the stagnated Soviet Union under Brezhnev in the 1970s: “They are breaking up demonstrations. They are throwing people in prison on basically the same charges. True, they aren’t giving seven-year sentences, but rather two. And now they have begun driving people out of the country.” He also supported Pussy Riot’s protests.

Though very much a Russian writer, Voinovich was a brilliant satirist of all kinds of authoritarianism and totalitarianism; much of what he has to say is just as relevant in Trump’s America as it is in Putin’s Russia (though perhaps we shouldn’t be surprised by this). And the high comic spirit that infests almost every page of his work is accompanied by a rueful, pessimistic melancholy that the world would essentially never change — a trait he shared with most of the great satirists, from Swift and Twain to Joe Heller and William Gaddis.

In 2015, Cathy Young interviewed him for The Daily Beast, and on July 30 Victor Davidoff wrote this appreciation for The Moscow Times. Below is a short YouTube English-language conversation with the man himself, interviewed by Al Jazeera in 2014.