Lately my lovely wife has been coming home merrily singing the praises of two new piano solos she’ll be performing at NYU’s Black Box Theater, 82 Washington Square East in New York on Sunday, February 23 — they’re difficult but divine, she insists, and promises a good time. She’s never wrong.
The big piece on the program (which is called American Spectral: Works for Piano and Electronics, by the way) is the hour-long “Music for Piano with Slow Sweep Pure Wave Oscillators,” a new “extended mix” of a shorter 2010 work by highly-regarded avant-garde tunesmith Alvin Lucier. Marilyn will raise the curtain with Philadelphian Ellen Fishman‘s “Ruptures” (2018-19). These works, Marilyn says, “explore how technology changes our sense of time, consciousness, and sonic reality.”
Admission? Gratis. The trouble begins at eight o’clock. I’m told that there’s a new-fangled thing called social media that’s taking the place of the hardworking press agent, so if you visit the Facebook page for the event, please “like” it (whatever that is) and “share” it with your “friends.” Me, I’ve got to get my tuxedo to the dry cleaners; the composers will be present, after all.
I confess to you that I use the word “solo” advisedly here; she will be accompanied by some electric gewgaws. But they aren’t human, and I’m going to maintain my distinction between man (or, in this case, woman) and machine, so matter how complicated the box of wires is. After the show, we’ll all head out to the local tavern (except the computers, of course), where we’ll explore how wine and vodka change our sense of time, consciousness, and sonic reality, though I doubt the sensations will be quite as profound.
Sometimes you just need a good song to start the morning. Below, Eden & John’s East River String Band offer up “He’s Funny That Way,” the 1929 standard by Neil Moret and Richard Whiting, from their most recent album Coney Island Baby. (Sure, the original title was “She’s Funny That Way,” but what’s a pronoun or two between friends?) That’s Eden Brower on vocals, John Heneghan on guitar, and special guest R. Crumb on ukelele. More about the band here, and you can purchase the album itself, as well as so many other ERSB albums, at their Ebay page here. I recommend you do so today.
I’ve sung the praises of (and been inspired to take up the guitar by) Eden & John’s East River String Band before. Unfortunately their local appearances are rare, but you’ll have a chance to see and hear Eden and John (as well as Ernesto Gomez) on Tuesday, November 5, at the Jalopy Tavern in Brooklyn. The trouble begins at 8:30, though if you miss it, you’ll have another chance to catch them on December 10. Join them for a casual evening of fine American music — stretch out your legs and stay awhile. To whet your appetite, listen to “He’s Funny That Way,” the 1929 standard by Neil Moret and Richard Whiting, from their most recent album Coney Island Baby below; that’s Eden Brower on vocals, John Heneghan on guitar, and special guest R. Crumb on ukelele. More information about the lovely evening can be found on Facebook.
Later this week I’ll be resuming my guitar lessons, about which I first wrote here. I seem to be heading forward into the past as I get older, and not my own past either, but much further back. My enthusiasm for ragtime and Piedmont blues as well as other early American music appears to tie together with my newfound enthusiasm for Mark Twain and even that archaic writing instrument the pencil. I suppose I can be faulted for being out of touch with my times. “They say Wilder is out of touch with his times,” director Billy Wilder once said of himself. “Frankly, I regard it as a compliment. Who the hell wants to be in touch with these times?”
You can read more about Piedmont blues in Samuel Charters’ classic study of this music, The Country Blues. A few years back, PBS aired the below documentary about the style.