Yesterday marked the second anniversary of the death of Leon Redbone, the singer and guitarist who brought American popular song back to the attention of a jaded public through his eccentric appearances on Saturday Night Live and elsewhere beginning in about 1975. Although Redbone cultivated a self-consciously odd personality that some might find just a bit twee, it was this personality that drew audiences to his music, a collection of American popular song classics that included both standards and rarities from the early years of the 20th century. Complain about that self-conscious weirdness as you will, for me — a 13-year-old boy growing up in a declining coal town of northeast Pennsylvania far from any city — Leon Redbone’s appearances on Saturday Night Live in 1975 were my first exposures to this music, which I doubt I would have found anywhere else on my own; soon I was purchasing and listening to albums by Fats Waller, Hoagy Carmichael, Robert Johnson, Blind Blake, R. Crumb and the Cheap Suit Serenaders, and others. My enthusiasm for this music continues to this day, and I’m sure I’m not the only one who must credit Redbone for this discovery. (Not to mention I’ve come to appreciate his dedication to his art and his subversive persona more than ever in the past few years.)
Redbone during his lifetime remained a stubbornly private individual, but in the years since his death some of the mystery about his past has dissipated, not least because of Megan Pugh’s in-depth profile of the performer, “Vessel of Antiquity,” in The Oxford American, published a few short months before Redbone’s death (complications of dementia). The short 2018 documentary “Please Don’t Talk About Me When I’m Gone,” which features footage of Redbone’s final performances as well as tributes from John Prine and others, can be found below.