I was delighted to hear a few weeks ago that the 1968 musical by Sherman Edwards and Peter Stone, 1776, will be revived on Broadway by the Roundabout Theatre Company and the American Repertory Theater in 2020 in a production directed by Diane Paulus. I first became familiar with the show through the 1972 film version, which I saw when I was ten years old, and I’ve been an enthusiast for early American history as a result since then. It helped that I spent much of my youth and young adulthood in Philadelphia, living not far from Independence Hall (indeed, I was born only a few blocks from it, at Pennsylvania Hospital). Although the film was not shot on location, it was very hard for me to walk through that neighborhood later without remembering the musical and the story that it told. Perhaps the time has come around for 1776 again; the threat of tyranny in America, it seems, has never really gone away.
1776, as a musical about American history, has been somewhat overshadowed by the success of Lin-Manuel Miranda’s Hamilton, and I’m not sure that many critics — or audiences — would agree with me in giving 1776 the edge. No matter; but I’d like to direct your attention to this conversation with Miranda and William Daniels, who played John Adams in both the Broadway premiere and the film of 1776, in which they discuss the salutary influence of 1776 on Miranda’s own work. Said Miranda: “1776 created such an iconic, indelible image of Adams that we just know who that is now. It’s also, I think, one of the best books — if not the best — ever written for musical theatre … ” There are a few interesting parallels between the shows (see the caption for the photo at the top of this post, for example), and, though you wouldn’t think it a controversial show, 1776 also ran afoul of then-President Richard Nixon, as Daniels discusses.
You can find the full interview here.