Mueller’s elegant, carefully crafted comics seem simultaneously nostalgic and unsettling, an evocation of the mirrored images of the individual and the world. His Millborough comics are a study in isolation, solitude, and cynicism set in Sassafras County, an idealized small-town America of the 1930s. The main character’s name itself was inspired by the old-time-radio situation comedy The Great Gildersleeve, but Mueller’s absurdist, quotidian approach is even more reminiscent of Paul Rhymer’s great neglected Vic and Sade radio comedy of the same period.
The cartoonist’s craft is evident in every panel; a post-Crumbian attention to detail and careful, almost melancholy crosshatching lend contemplative depth to his backgrounds and, especially, his domestic interiors. Millington F. Millborough’s house, which boasts a warm if dark “Library of Drink,” is a textured expression of the character’s own interior life. But whereas Crumb’s characters explode with anxiety, Mueller’s bottle it up inside (an apt construction, that), and more frequently than not, that anxiety like Crumb’s is sexual.
It so happens that I share many affinities with Mueller and his work, not least an admiration of W.C. Fields and especially It’s a Gift. I’m only partway through the portfolio and may have more to say. In the meantime, I refer you to the below “cartoon,” Mueller’s semi-animated adaptation of one of his own Millborough stories. You can read more about his work at his web site.