Guten morgen, Wien!

I’m not much for social media but I still maintain a Facebook account, primarily to announce new posts from this journal, and this morning I was glad to do so. Marion Eigl, the morning host on radio klassik Stephansdom, walked us through her arrival at the station in the wee small hours of the day — just as the sun is rising above the Stephansdom, in the shadow of which the station broadcasts — and it reminded me of just how beautiful the city is in those very early daylight hours, when the streets are nearly deserted and the sky brightens through a series of glorious blues. One of the great pleasures of listening to the radio is the knowledge that, at the other end of the connection, there’s another human being sharing in the music with you from the broadcast booth, something that isn’t the case with streaming music services. So guten morgen, Marion. The city looks lovely at that time of day.

The programming at rkS also caters to my increasingly eccentric taste in music (though I should also mention here that rkS broadcasts high mass at the Stephansdom a few times a week, which also caters to my increasing eccentricity). When I was younger I used to enjoy orchestral music much more, but now, at 62, I’m drawn more to vocal and chamber music, especially medieval and renaissance composers like Hildegard von Bingen and Heinrich Schütz, then skipping over a few centuries to the Second Viennese School, with a brief but significant sidetrack to the classical era of Mozart and Beethoven. There is a spiritual aspect to this as well, which may also be tied to aging. As we get older, it is said, we grow more into our more mature selves. My mature self finds more affinity in this music than it used to. Don’t get me wrong — I’m as prone to slip on an album by Frank Sinatra or Elvis Presley as the next Joe, when the time seems right. Still, it seems to be that the music of hundreds of years ago pleases my ear and my meditations more than most.

The geographical basis of these meditations is more centered in Vienna and environs than anywhere else. There is something about the Danube, I suppose, and Central Europe as I’ve mentioned here before was after all the original home of my ancestors. My recent listening is paralleled by my recent reading, too — the contemporaneous Nibelungenlied and Hildegard again, and the literature of Musil, Doderer, and Kraus, all writers contemporaneous with Schönberg, Webern, and Berg. The spiritual center of all this work seems to be the Austrian capital, itself an architectural museum with exhibits spanning from Fischer von Erlach to Adolf Loos. I don’t believe that I’ll ever be able to spend an extended amount of time there to probe these meditations in situ, as it were. But I will make do with what I have, even as I continue my studies in the German language; as Wittgenstein once said, “The limits of my language mean the limits of my world,” and fortunately I can still broaden those limits and maybe broaden my meditations through an assiduous attention to my language lessons.

At the moment, I’m turning my attention to radio klassik Stephansdom, though — right now host Eva Reinold is treating me to a few Beethoven bagatelles, and I think I’ll have a listen to those. I do want to note that rkS is continuing its fundraising drive, and if rkS suits your streaming fancy you should make a donation here. And turn up the volume.

Schönberg/Kraus

Arnold Schönberg, Satire (Karl Kraus), 1910. Oil on paper. Belmont Music Publishers, Pacific Palisades, CA.

[Karl Kraus’s] life stands as an example of moral uprightness and courage which should be put before anyone who writes, in no matter what language. … I had the privilege of listening to his conversation and watching his face, lit up by the pale fire of his fanatic love for the miracle of the German language and by his holy hatred for those who used it badly.

— Gregor von Rezzori

Looks like I should have extended my recent outing to Vienna. At the Arnold Schönberg Center, an anniversary exhibition marking the 150th birthdays of Arnold Schönberg and Karl Kraus will be open to the public through May 10. Any student of Viennese Modernism like myself will look forward to this program that features music manuscripts, texts, paintings, and drawings, as well as letters and photographs. The Center says:

Advocating progress in music, Schönberg embodied the courage to break with conventions. In keeping with the interdisciplinary orientation of Viennese Modernism, the composer also expressed himself as a writer and painter. As a censor of language, Kraus fought an unrelenting battle against corrupting newspaper phrases, double standards and esthetic uniformity. The two jubilarians were united by an unspoken understanding of artistic and social matters, and by a shared ethical program which aimed at a claim to truth in all areas of art.

I wrote briefly about Kraus’s Last Days of Mankind here, and I hope to write about Schönberg (one day, one day …). Those of us who can’t be there can comfort ourselves with the English-language catalog of the show, available here. And below is a trailer for the exhibition.

Patterns

It’s taken a while, but it’s worth the wait: the Complete Music for Cello & Piano by Morton Feldman, performed by my lovely wife Marilyn Nonken (piano) and the estimable Stephen Marotto (cello), is now out and available for purchase from Mode Records. The centerpiece of the 2-CD set is Feldman’s hypnotic 1981 “Patterns in a Chromatic Field,” but the works range in time from 1946 through 1981, permitting the listener to chart Feldman’s development over nearly thirty-five years of his musical activity.  Recorded at the Experimental Media and Performing Arts Center (EMPAC) in Troy, NY, in 2018, it’s beautifully recorded and mastered by producers Jeffrey Means and Brian Brandt and engineers Jeff Svatek and Todd Vos. Nobody who’s interested in 20th-century American music will want to be without it.

The CD is available from Mode Records and a top-quality FLAC download of the album can be found at Bandcamp; it will be released through various streaming services next month.