News from North Carolina

Mineshaft #38, the most recent issue of the fine magazine from Everett Rand and Gioia Palmieri of Durham, NC, arrived in my mailbox yesterday, and as usual it does not disappoint. It is the American magazine most suited to my own temperament these days, whatever that says about me; one of these days I must write about what that is. I’m about halfway through the issue now; it boasts work from a variety of fine artists: veterans like R. Crumb, Robert Armstrong, Drew Friedman, and Art Spiegelman, but also artists with whom I wasn’t previously familiar, especially Christoph Mueller and Noah Van Sciver. There’s much more, too, not least a chapter from Palmieri’s novel-in-progress and a selection by Aleksandar Zograf of old photos found at flea markets, accompanied by a few quite thoughtful meditations.

You can learn more about the magazine at its web site. I encourage you to subscribe today — three issues for $32.00, a savings of precisely zero off the cover price (I’ll give them the $2.00 for postage), but it’s worth more, oh so much more, as I wrote here.

A toast to … Mineshaft

In many ways, I’m still an analog boy in a digital world, and when it comes to leisure material for reading, watching, and listening, I prefer the hand-made sort of entertainment, whether it’s mid-budget comedy movies from the 1930s or what’s generally become known as roots music. Books and magazines that suit my temperament are harder to come by these days, though.

Fortunately there’s still Mineshaft magazine, celebrating its 20th anniversary this year. Inspired by underground magazines and comics of the past, Mineshaft is a modest and resolutely hand-crafted periodical that’s issued about three times a year, published by Everett Rand and Gioia Palmieri in Durham, NC, far from the media meccas of New York and Los Angeles. Produced through the increasingly quaint offset printing method, the magazine’s prose, poems, and comics are resolutely free of cant and pretension. The Spring 2019 issue (No. 37) features recent work from veteran cartoonists and illustrators Drew Friedman (front cover), R. Crumb (back cover), Art Spiegelman, Bill Griffith, and Mary Fleener; poems and paintings by Billy Childish; and work by a number of artists who are unknown to me, such as Nicolas C. Grey, David Collier, and Noah Van Sciver. What they all share is a rootedness in the physical, not the digital, world; like the magazine, the work has a distinctively handmade quality, and the comics especially share a meditative and contemplative marriage of laconic prose and atmospheric inkwork pioneered by, among others, Harvey Pekar in the 1970s. There’s a melancholy that hangs over the whole, a feeling that the analog world it depicts is being lost, if it hasn’t been lost already. That the work has a particularly satiric quality, then, doesn’t come as much of a surprise, especially when it refers to the digital realm, and it’s not much of a shock to find, tipped in with this contemporary work, a reproduction of a detail from a painting by William Hogarth.

Both single issues of No. 37 and back issues are still available from the Mineshaft web site, and you can pony up for a subscription there as well. Obviously the magazine, itself a beautifully, lovingly produced object, will be an acquired taste for those who have drunk deep from the well of the internet culture; it’s not for everybody. But it is, in many ways, for me, so I’ll lift my glass to Mr. Rand, Ms. Palmieri, and their quixotic Mineshaft project when I drop in for my weekly session at Cafe Katja this afternoon.